Monthly Archives: April 2013

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50mm Prime Lens is NOT a Portrait Lens

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This is an interesting twist on the "Nifty Fifty"

Commercial Photographer Vincent Laforet

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Interview with Vincent Laforet, a former New York Times photographer. He advises people to put the camera down, walk around, and ask themselves a series of questions, such as "What really is special about this place?"...

Using Textures in Photoshop

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Nick Merritt show you a simple way to use textures as layer masks to create a distressed, vintage look.

Using Light Meters to Improve Imagery

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Cinematographer Mark Vargo explains how to use two different light meters to improve your imagery.  Credited on movies such as Planet of the Apes and Deep Impact, he knows what he is talking about. This is designed fo...

How to Shoot Football – How Sports Illustrated Photographers Shoot Football

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Fstoppers travels to New Orleans to interview Sports Illustrated photographers Damian Strohmeyer, Al Tielemans, Simon Bruty, and John Biever as they shoot the 2012 BCS National Championship Game featuring LSU and Alab...

Ball of Light

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This 15 minute documentary tells the story of Denis Smith. Two years ago he was in a high pressure sales job suffering with depression, debt and alcohol problems. Then he discovered light painting, and his life change...

Waterfall Photo Tips

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Four quick tips on making better waterfall photos from 2012 National Outdoor Book Award winner, Jerry Monkman.. More of Jerry's work can be found at ecophotography.com.

Remove Tourists in Photoshop

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In this tutorial, Serge Ramelli will show you his workflow to erase tourist on a photo. He covers examples of : 1. Taking several shots of the same scene with a tripod and then using masks to erase some of the tour...

7 Photojournalism Tips

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What are the key tips to shooting great news photography? This video by award-winning Reuters photographer Damir Sagolj, compiled by the Thomson Reuters Foundation, share his seven ideas on how to shoot news photos th...

Beautiful Time Lapse

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Every frame of this video was shot in a raw still format from a Canon 5D2 DSLR.  Then processed in Adobe After Effects that helps explains not only the remarkable clarity of these scenes, but the HDR effect that's cle...

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